![]() I think Caroline's perspective is particularly unique among the conservators we've heard from on the show so far as well as a conservator, born and raised in Puerto Rico. #Filmotech forum software#She has held an incredible array of positions and so many different contexts within the moving image preservation world from handling nitrate film, preserving Catalonia's legacy of silent film to assessing software based works of art at the MET and at MoMA. #Filmotech forum professional#was excited to sit down and chat with Caroline, not just to hear about what she is up to at EAI, but also to get the story of her professional journey. Within the broader time-based media conservation ecosystem today, so many decades after the organization's founding. At EAI, Caroline is doing exciting work, not only to safeguard their important collection, but also to help shape and rethink what role a place like EAI plays. Ben: Last year Caroline became the Director of Preservation and media collections at the Electronic Arts Intermix, or EAI a nonprofit that of course played an incredibly pivotal role in cementing video arts place in history. Caroline: Hello, my name is Caroline Gil Rodriguez and I am a media conservator and an archivist This week on the show, we are dipping back into the world of preservation. I'm your host, Ben Fino-Radin and on this show, I chat with people that are shaping the past present and future of art and technology. Ben: From Small Data Industries, this is Art and Obsolescence. Help support our work by making a tax deductible gift through NYFA here: Get access to exlusive content - join us on Patreon!Īrt and Obsolescence is a non-profit podcast, sponsored by the New York Foundation for the Arts, and we are committed to equitably supporting artists that come on the show. ![]() > Recording of noise band Cornucopia, at Iámbica Festival > We didn’t ask permission, we just did it… Other links from the conversation with Caroline Pitirre Proyectos- a Puerto Rican based organization, 501c3 non-profit launched to provide direct aid to the artist community in the island. Artist Emergency Fund - PayPal.Me/museoMACPR Museo de Arte Contemporáneo de Puerto Rico (MAC) - Community Contemporary Art Museum in Santurce, San Juan, PR. Donation page: ĪgitArte | Papel Machete- AgitArte is an organization of working class artists and cultural organizers who work at the intersections of race, class, gender, sexuality and ideology. ![]() Taller Salud- Feminist grassroots organization that works with low-income and mostly Black women and communities in Loíza. Below is a list of local aid and relief organizations courtesy our guest – please consider supporting them if you are able: Tune in to hear Caroline’s story!Īt the time we’re releasing this episode Puerto Rico is reeling from the devastation of hurricane Fiona. Our chat with Caroline further expands the global map we’ve been building on the show of time-based media conservation practice, as we hear all about her origins and early professional years in Puerto Rico. In our chat we hear about Caroline’s vibrant professional journey, and the incredible array of positions she has held across many different contexts within the moving image preservation world – from handling nitrate film, preserving Catalonia’s legacy of silent film – to assessing software based works of art at the Museum of Modern Art and the MET. EAI played an incredibly pivotal role in cementing video art’s place in history, and there Caroline is doing exciting work not only to safeguard their important collection, but also to help shape and rethink what role a place like EAI plays within the broader time-based media conservation ecosystem today, many decades after the organizations founding. This week we’re visiting with media conservator and conservator Caroline Gil Rodríguez, who last year became director of preservation and media collections at the Electronic Arts Intermix. ![]()
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